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starry-bi-sky · 6 months ago

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tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

#dpxdc #dp x dc #danny fenton is not the ghost king #dp x dc crossover #dpxdc crossover #tales of the passerine au #i dont want to overemphasize how much vlad sucks but also i dont want to downplay it. but also i didn't wanna make this post too long #i didn't emphasize enough on vlad's possessiveness but i wanted to make this post as general enough as possible for the au.#for some more wiggle room in the future if i make more posts about this au.#the consequences for Danny repressing himself was not a concern i was focused on for the post but i am thinking about it and mulling it ove #i'll be blunt my main specific reason for why this occurs shortly after tue is bc it means dani doesn't exist yet and it means i dont have #to include her in the continuation of this au. i love that girl but she's a dead weight. i dont wanna come up with an elaborate reason as #to why she's not in the picture when i can just say 'she never created in the first place' instead. i don't have anything for her to do #I don't want to risk giving her a poor plot line just so that she exists in au.#sometimes i really hate just how long my posts get. i feel like it kills my engagement. but i also don't want to make posts that have #a part 1 and part 2 just because I think it got too long.#i feel kinda bad for having Danny take the spot of 'first partner' from Dick. But that was part of the reason i was inspired to make this a #i've already got the skeleton of a reasoning for danny becoming a vigilante being made in my head.#He can't go by Phantom since that risks drawing Vlad's attention -- a new vigilante showing up in Gotham. a place the visited frequently #who goes by the name Phantom? He'd be on that faster than chickens on meat. and nightingale has familial meaning behind it due to being #part of an ancestral name. it follows robin's theme of using it to honor his parents while still having its own unique enough lore to stand #on its own without feeling like a cheap copy. plus the bonus meta reason that it follows the bird theme. which personally is vital to me #my other alternative to Nightingale is Sparrow. mostly because it has good phonetic structure for a hero name. not too many syllables #a good balance of consonants and vowels. dont want a hero name with too many syllables or unbalanced consonants. or worse; both.#my reasonings is that hero names should be easy for a civ or teammate to yell while still being understood. max amount of syllables before #it threatens to become too wordy is 3. If it goes over 3 it should have a balanced consonant-vowel ratio. Wonder Woman is a good example #some things got cut here that were in the initial oneshot. like danny giving bruce his physical ghost core and showing up bloody.#the first son au

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hitlikehammers · 9 months ago

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whole wide world

rating: t ♥️ cw: criminal-levels of softness, rockstar!Eddie, teacher! Steve, gooey-clingy-heart-eyes Eddie needs his Stevie ♥️ tags: established relationship, rockstar!eddie, teacher!steve, rockstar husbands, amateur musicals, steve needs to stop using a ladder unsupervised because nothing bad happened this time but eddie is concerned that is the love of his life, soul-deep love, slice of life, softness

for @steddielovemonth day thirteen: Love is showing up when someone doesn’t ask ❤️ (@steddieas-shegoes)

look who's back, just like every other day, it's the rockstar husbands from je ne regrette rien being their codependent, desperately-in-love selves again! ♥️

“Goddamnit,” Steve curses the staple gun, the dry-rotted wood he’s trying to use it on, the acrylic-covered tarp masquerading as a backdrop leaving little crackle-dust everywhere every single time it fucking falls because the wood’s shit, the staples are shit, his co-advisor’s kid’s sick with the flu, the kids are in the band room rehearsing the opening number and Steve really cannot fucking believe he got roped into this to begin with, actually, like, how the fuck did the middle school guidance-counselor-slash-study-hall-monitor get conned into helping with the high school drama club, just because one of his JV soccer players landed the lead and bemoaned loudly enough during laps how they didn’t know if they’d be able to make the performance even work, because the choir teacher’s on maternity leave and the band director’s kind of a dick, and the needed more help—

Steve only is even in the high school for the goddamn athletics office. For, y’know, the equipments for the athletes.

Yet: here he is. Standing on a rusty fucking ladder that probably needs a spotter, to be honest, and if Steve’s admitting that then yeah, it definitely needs someone holding the goddamn thing, but here he is, already two hours after the final bell, trying to stick a painting of mattressesin a stack that only vaguely looks like mattresses so thank god that’s in the show title—

The ladder wobbles a little when he tries to catch the tarp-thing again but he can’t reach far enough without risking a long way down to a very hard stage floor, so the backdrop’s sacrificed back to the ground—a-fucking-gain—as he shifts his weight to steady the steps and it’s a close thing, he’s about ninety-seven percent sure he’s aimed the teetering feet of it back to solid ground okay but he glances around quick just in case, tries to figure if there’s anything he can grab for and let the ladder go on its own if need-be, and—

“That’s fucking dangerous, big boy,” a deep, and deeply unexpected, voice trails up from the floor, clipped with stress, with fear because Steve fucking knows that voice, and the ladder’s suddenly fully steady so he can turn and look and—

“Gonna give me a goddamn stroke or something, finding you up on one of these all by your lonesome,” Eddie’s staring up at him, and the words could be teasing, and Steve thinks maybe they intend to be, but: those eyes are too big. There’s a pulse Steve can count in that throat, even from seven-feet-up.

So he does what any man in love with his husband would do in the face of said-husband in fear, and for him: Steve climbs down careful, but quick, with Eddie’s hands scrambling to make sure of the ‘careful’ part as soon as he can reach, and then he turns, and then he lands on solid ground again to pull Eddie in and thank every colleague of his he’d been cursing in his mind for leaving him alone to do all this shit, because alone is the reason he gets to kiss his lover hard, and full; wrap around him and let him squeeze Steve to the point where it aches, where it creaks in his bones, like proof.

Lets Eddie attach his lips to suck a bruise, possessive and needy and protective all at once along his throat, and yeah:

Exactly like proof.

“What are you doing here?” Steve asks when they pull apart just the slightest bit, because he wasn’t expecting Eddie to be home until probably close-on to midnight, let alone at the school well before five.

“Thought you could maybe use an extra set of hands,” Eddie shrugs like it’s a casual thing, showing up just to help out when he’s on a press cycle, and it’s evident even in his attire that that’s the case, if you know what to look for: more chains from his jeans, thicker soles on his boots just flirting with being platforms, at least two rings on every finger—save just one.

One has a ring, and a carefully-preserved and repeatedly-reinforced bread-bag tie: both serving the same purpose in very different points in their lives.

Point being: Eddie was wading through photoshoots and magazine spreads and radio spots and every fucking thing, and no matter how high he’s raising his eyebrow in a clear calling out of how he found Steve atop a shaky ladder as being obvious evidence of having use of an extra set of hands, the fact remains:

“But you’ve got the interview—“ the big ass interview with that shock-jock guy Steve kinda hates, but that’s a big fucking deal, and was the precise reason Steve wasn’t lamenting giving up his afternoon and evening to the at-least-halfway-to-lost-cause of the not-even-an-actual-full-fledged-theatre department: he wasn’t going to have Eddie home before bed anyway.

And yet: here stands the man.

“The boys have got it,” Eddie shrugs, like he actually doesn’t give a shit, and that’s…he does give a shit, he had sounded excited about it last night when they’d talked about their plans for the week over dinner, when Steve had bemoaned the travesty of this fucking production of Once Upon A Boxspring or whatever, and Eddie’d told him he was pretty sure he was going to be able to say fuck on the show even if they’d edit it, like he wouldn’t get in trouble, and he’d looked like a kid in a goddamn candy shop about it so yeah: Steve thinks he kinda did give a shit.

But he’s…not there.

“Gareth’s been itching to take the reins after he won out the final track list,” Eddie offers as explanation; “cocky bastard.”

And they collaborate on all the writing, music and lyrics, they’re not even the slightest bit competitive about it which would be hard to believe if all you saw of the members of Corroded Coffin were their goddamn shenanigans during a campaign; but the one think in their music that they docompete over?

Whose title-idea gets the opener on a given album. And Gareth did end up scooping them all when the execs came back with a shuffle. Steve had watched it unfold in real time; he doesn’t think he’s ever heard a grown man crow like Gareth had, and he is married to Edward fucking Munson.

So that’s saying something.

“Eds,” Steve tries to prod a little at the point of it all though, because Eddie’s got press, and this is a high school, and probably Eddie could get to the studio in time to catch the end of whatever, it’s prerecorded, he knows that much, they could squeeze a live interview in so they could probably do Eddie at the end and just shuffle it around, right, it’s easy, and that’s so much more important than this because this:

“Eds, it’s just a—“

“It’s the spring musical, baby,” Eddie says like he’s announcing the arrival of the president, of the Queen of England, then his eyes soften a little as he flicks at one of the real mattresses that will, presumably, be props for the actors if the show’s title isn’t a fucking lie: “you know that’s where my DM throne had its humble origins, before I elevated it to greatness?”

Steve did know that, not least because they’d smuggled Eddie in to DM a few special sessions before the gremlins graduated, and he’d taken his seat with regal aplomb every time, and Steve had learned that yeah, they used the random storage room that was mostly drama shit for Hellfire.

And the way he’d learned that was by sucking Eddie off hidden by some very ratty but very conveniently poofy ballgowns from a production of Cinderella.

“I missed you.”

Steve turns to him and blinks; Eddie’s eyes are on the mattress, his stance almost a little shy.

“You saw me this morning,” Steve doesn’t ask, exactly, but he…he’s not sure he’s following, is the thing.

“I was,” Eddie sighs, and flops to sit down on the mattress which, thankfully, is a mattress and gives a little, bounces under him.

“I was just feeling, I dunno,” he gives a shrug that fades into something like a shiver, and then Eddie’s arms come around too hug around his middle as he ducks his chin and, oh no.

None of that.

“I thought about you being, you know, you,” and Eddie gets to gesture at the mess of the stage only halfway before Steve’s catching his hand, lacing their fingers and pulling Eddie back up to standing, then back into Steve’s arms here he leans heavy, sighs deeper this time; relief instead of something shallow.

“Just you doing all this when you don’t even have a horse in the race, y’know?” Eddie muffles into the side of Steve’s neck, burrowed in tight. “And I was supposed to be in the zone about press and shit, and it just,” he shakes his head, which is more like the brush of his lips back and forth against Steve’s skin; “it wasn’t clicking at all, like I posed and did the looks and whatever,” and oh, Steve knows the looks, Steve has about half those looks printed out and framed in various parts of their home or tucked safe inside his wallet, whereas the other half he takes great joy in recreating at random to the chagrin of his darling husband, love of his whole goddamn life.

“Then Jeff asked if I wanted to duck out,” and Eddie smiles up at him, a little sheepish; they both know the boys can see right through Eddie feeling needy, or lovelorn; Steve’s grateful as shit for Eddie’s bandmates, their friends, for knowing when Eddie just needs Steve.

“I didn’t even think twice, just,” Eddie swallows hard, a little, peeking up through lashes and bangs as he exhales:

“Just wanted to see you before the middle of the fucking night.”

And what can Steve do in the face of that, really? He can’t argue it. Wouldn’t ever fucking want to.

“I love you,” he frames Eddie’s face and kiss the bridge of his nose, then soft between his brows as he breathes out with his whole heart: “so goddamn much.”

“Can you promise me you won’t do the,” Eddie tips his head behind them; “the ladder thing, at least not by yourself?” And Eddie’s eyes are so, so big again. “Like, pretty please, don’t do that again?”

“I won’t,” Steve swears it, and kisses him firm to seal the promise: “thanks for coming to the rescue.” Because there was a three percent chance Steve was going to wipe the fuck out from very very high, and he’s have survived it, but he’s not twenty anymore, and it would have fucking sucked, probably for a while.

“Always, baby,” Eddie murmurs, still tight against Steve lips before he straightens a little, and this time he’s framing Steve’s face, but more holding him still in place, emphatic:

“Actually, amendment,” he says seriously, eyes darting between Steve’s a tiny-touch frantic: “next time you need to be on a ladder, you call me first,” he damn-well declares it, rather than asks; “so I can hold it steady.”

“My hero,” Steve breathes against him with a smile, and there’s not even a hint of teasing in it.

“I don’t trust any other hands to catch you, baby,” Eddie tells him, a little too raw; full sincerity bleeding from him all the sudden as he caresses down the cheeks he’s still cupping: “no one else in the whole wide world appreciates what you’re worth.”

“And what’s that, exactly,” Steve scoffs a little, playful where he’s held in Eddie’s arms but Eddie: Eddie’s holding him tight, now, and his heartbeat’s heavy where he’s moving to crush Steve to his chest, and there’s a little wavering pitch of something in his voice when he whispers:

“The whole wide world,” and oh.

That’s the answer.

It’s Steve’s answer, too, to the same exact question, but hearing it said so plain never stops feeling like the ending and remaking of the whole wide world, every time.

So yeah, Steve has to take a minute to swallow through the tightness in his throat, and maybe he does that with his forehead bowed against his husbands so they breathe each other in as a rule just in the course of living in the moment, together—and when the straighten up Steve steals a kiss first, quick but hard, with feeling, before he cracks his neck and sighs, taking in the scene that’s settled around them.

“Help me try and figure this out to hang?” Steve kicks at the tarp-tapestry, and Eddie walks its perimeter critically before frowning up at Steve.

“Think it needs some touch ups,” he pronounces solemnly, and fuck, yeah, all the color-dust from the useless staple-holes and the falling. But his husband’s actually really good with details, and matching colors, and using a brush, and fantasy settings—

“Paint’s in the back,” he says with a lilt of suggestion and Eddie lights up and grabs Steve’s hand to drag him toward the promise of painting, like maybe all he needed really was just…this.

tag list (comment to be added): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch @perseus-notjackson

♥️

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